"Grounding fleur-de-lis" Original
Print Title: Grounding Fleur-de-lis
Size: 14x11 inches
Crafted with concentrated Ranger inks, isopropyl alcohol, micro brushes, and Yupo paper, this vibrant yet rooted piece is a visual meditation on grounding and release. Created through breath-led movement and sensory presence, it reflects the artist’s neurodivergent journey and the beauty that comes from soft surrender and inner regulation.
Print Title: Grounding Fleur-de-lis
Size: 14x11 inches
Crafted with concentrated Ranger inks, isopropyl alcohol, micro brushes, and Yupo paper, this vibrant yet rooted piece is a visual meditation on grounding and release. Created through breath-led movement and sensory presence, it reflects the artist’s neurodivergent journey and the beauty that comes from soft surrender and inner regulation.
Print Title: Grounding Fleur-de-lis
Size: 14x11 inches
Crafted with concentrated Ranger inks, isopropyl alcohol, micro brushes, and Yupo paper, this vibrant yet rooted piece is a visual meditation on grounding and release. Created through breath-led movement and sensory presence, it reflects the artist’s neurodivergent journey and the beauty that comes from soft surrender and inner regulation.
Title: Grounding Fleur-de-lis
This piece was created in a space of deep breath and quiet reconnection. Made with concentrated Ranger inks, isopropyl alcohol, micro brushes, and Yupo paper, Grounding Fleur-de-lis is part of a body of work shaped by intentional breathwork, healing, and neurodivergent sensory awareness.
The form nods to nature’s structure — almost floral, almost symbolic. It’s both bold and delicate, full of color and stillness. The grounded greens and winding stems remind me to return to myself, while the vibrant pops of ochre, amber, sky, and rust feel like little bursts of life pushing up through the quiet.
As someone living with autism and ADHD, this process isn’t just art — it’s survival and soft surrender. Every shape, every line, is a moment of letting go. I use breath to move the ink, inviting each pigment to flow with as little interference as possible. It’s a conversation between control and trust — between the structure I crave and the freedom I’ve learned to give myself.
This painting is a reminder that we can bloom even when the world feels overwhelming — and that grounding doesn’t always mean standing still. Sometimes it just means returning to what’s true.